Showing posts with label Friedensreich Hundertwasser. Show all posts
Showing posts with label Friedensreich Hundertwasser. Show all posts

October 20, 2016

2832 AUSTRIA - "542 Garten Im Regentropfen - Theater - Maul - Cappana 140" by Friedensreich Hundertwasser


Although Friedensreich Hundertwasser (about which I wrote a little here) is more widely known for his architectural works, he first achieved notoriety for his paintings. He used bright colours and organic forms, rejecting the straight lines. Painted in Venice, Lido - Giudecca - Anguillara, in summer-autumn 1962, 542 Garten Im Regentropfen - Theater - Maul - Cappana 140 (Garden in the Raindrop - Theatre - Mouth - Cabin 140) is a watercolour on wrapping paper, primed with chalk and PV (390 mm x 550 mm).

July 17, 2013

0748 GERMANY (Hesse) - Hundertwasserhaus Waldspirale in Darmstadt


If Die Grüne Zitadelle von Magdeburg (The Green Citadel of Magdeburg) has been started a year before the death of Friedensreich Hundertwasser, Hundertwasserhaus Waldspirale (the Wooded Spiral) was completed even in the year of the artist's death, in 2000, so it can be interpreted as a loud testament to his hatred of straight lines (the "devil's tools", according to his opinion) and his allegiance to nature. The Waldspirale is a residential building complex located in Darmstadt's Bürgerparkviertel, and contains 105 apartments, a parking garage, a kiosk as well as a café and a bar.

May 17, 2013

0650 GERMANY (Saxony-Anhalt) - Die Grüne Zitadelle von Magdeburg


Born at Vienna in 1928 and became, to maturity, citizen of New Zealand, Friedensreich Hundertwasser (1928-2000) is one of the best-known artists of the end of the 20th century, but also one of the most controversial. Half-Jew (his mother was Jewish), he avoided persecution under the Nazi regime joining the Hitler Youth, and due to the experiences from that period he had always an strong anti-totalitarian position. Maybe that's why his works were remarked firstly by bright colours, organic forms, rejecting the straight lines, and a strong individualism.